By Mike Cox
Descriptive Metadata for tv is a accomplished creation for tv execs that have to comprehend metadata's goal and expertise. This easy-to-read publication interprets vague technical to hands-on language comprehensible via actual humans.
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Extra resources for Descriptive metadata for television : an end-to-end introduction
Legal metadata usually contains date-sensitive information, since contracts and rights can expire. For production, the metadata record can make reference to contracts with talent and production staff, licenses for locations, and other particulars that are held on file in the legal department. Not all the legal information needs to be retained with every instantiation of the program. As mentioned later in this chapter, the archive might not care about the access license with the owner of a field where a scene was shot.
Perhaps most important of all, many modern devices generate and record a globally unique identifier for the particular clip of material at the very instant the record button is pressed and have facilities to import metadata from the production office database and combine it into the output. 1f. If the metadata logging has taken place during shooting, this task will be much simpler and more accurate than for material that is logged sometime later or when legacy material is logged. It has traditionally been common practice for the logging to be started in earnest only when the recordings have been returned to the production center— frequently a researcher or production assistant would sit down and view the tapes and log them at the same time.
If the rules of grammar are not followed in a natural language, the result can be at best confusing and at worst 37 Descriptive Metadata for Television unintelligible, though usually a human being can sort things out (for example, the phrases “a koala eats, shoots and leaves,” or “the piano was bought by the lady with the carved legs”). The same applies to metadata—if the rules for grouping and structuring metadata are not followed, little or no useful information will be conveyed. Worse, what is conveyed might appear okay but in fact be erroneous.
Descriptive metadata for television : an end-to-end introduction by Mike Cox
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