By Gregory L. Blackstock

ISBN-10: 1568985797

ISBN-13: 9781568985794

Glossy lifestyles is an ever-accelerating barrage of individuals, structures, autos, creatures, and issues. How a lot can a curious brain absorb? And what can it do with the entire info? Gregory L. Blackstock, a retired Seattle pot washing machine, attracts order out of all of the chaos with a pencil, a black marker, and a few crayons.

Blackstock is autistic and a creative savant. He creates visible lists of every thing from wasps to hats to emergency cars to noisemakers. within the spirit of the Outsider artwork of Henry Darger and Howard Finster, Blackstock makes artwork that's stirring in its large quantity and element and encouraging in its basic attractiveness. He hasn't ever got formal inventive education, but his renderings truly and beguilingly express sophisticated ameliorations and similaritiesenabling the viewer to work out, for instance, the targeted positive factors of a dolly varden, a Pacific Coast steelhead cutthroat, and fourteen different kinds of trout.

Each assortment is lovingly captioned in Blackstock's precise hand with texts that mirror proof from his learn in addition to his passions and personal tastes. Blackstock's Collections includes over a hundred awesome examples of his wonderfully unique taxonomy, providing a special glance contained in the brain of a guy making experience of lifestyles via art.

Monsters of the Deep
significant Forestry Pests
the nice Cabbage Family
The Spatulas
the area battle II U.S. Bombers
The Buoys
King Sized Jails
Monsters of the Past
Classical Clowns
nice Italian Roosters
Our kingdom Lighthouses
The Irish Joys


Seattle Times:
"If Gregory Blackstock's drawings have been poems, they might have meter and rhyme. There's an orderliness to them that satisfies the pesky drill sergeant who ideas our brainsand additionally a spark of chaos to please the soul. "

"The matters are rendered in a lucid black-and-white comic strip variety, and the hand lettering continually exudes a feeling of glee. It's transparent that the artist is entranced. . . Fittingly, essentially the most attractive (subjects) is 'The paintings Supplies,' a colour drawing of every thing you wish, together with the unique 1958 Crayola crayon field, to make an image along with your personal arms. yet be forewarned: nobody can do it like Blackstock."

About the Author
Gregory L. Blackstock labored as a pot washing machine for twenty-five years. He begun making his pictorial lists at age 40, and had his first gallery exhibition in 2004. He lives in Seattle, Washington.

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Additional info for Blackstock's Collections: The Drawings of an Artistic Savant

Example text

For they remain of my flesh, my substance. ’ The ground, here, speaks with the voice of the tectonic, and in the language of the line. Perhaps the last word, however, should go to the wall, a fold in the skin of the land that has so absorbed the earth into its substance that it is wracked by the same tectonic forces, causing it to strain and buckle at the joints where its members, in their give and take, offer themselves to one another. The strength of the dry-stone wall, as Lars Spuybroek observes, lies in its settlement2 – a settlement that is reached not only in the weighing of stone on stone, in their contact or ‘touching together’, but in the stones’ collective settlement with the very ground from which they were originally wrested.

And if the forms of music and dance are knots of sound and feeling, why should we not regard architectural forms as knots of light? The builders of medieval cathedrals, who crowned their saints with halos while sounding their praises with the ringing of bells and garlanding their images, would certainly have understood this. For them, the halo, the ring and the wreath, respectively seen, heard and felt, were of a kind. 5 There has long been a close association, especially in seafaring communities, between knots and the wind.

It is precisely because these parts are bound in sympathy – through interstitial differentiation rather than external accretion – that I refrain from using the term ‘assemblage’ for the whole comprised of them. This whole is a correspondence, not an assemblage, the elements of which are joined not ‘up’ but ‘with’. Whereas the agglutinative accretions of the assemblage are ‘and … and … and’, the differential sympathies of the correspondence are ‘with … with … with’. 1 Joining timber. This photo, taken in British Columbia, Canada, illustrates one way of joining beams at the corner in traditional log-cabin construction.

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Blackstock's Collections: The Drawings of an Artistic Savant by Gregory L. Blackstock

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