By Adrian Frazier
Backstage offers the tale of Dublin's well-known Abbey Theatre and its significant artistic personalities: W. B. Yeats, Annie Horniman, J. M. Synge, and woman Gregory. half heritage, half sociology, half biography, Frazier's paintings recreates the forces that formed the Abbey degree, forces that concerned the lively participation of actors, audiences, press, and financiers in addition to of the well-known poet-playwright who was once its co-director. His ebook unfolds an interesting and suspenseful story, situated at the undeniably autocratic character of W.B. Yeats and with the political struggles of eire as a backdrop.
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Additional info for Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey Theatre (New Historicism)
Yeats Page xxv for providing the drawings by John Butler Yeats and granting permission to reproduce them, to the Board of Directors of the Abbey Theatre for permission to reproduce photographs of the old Abbey and the painting of Annie Horniman, to the National Library of Ireland for reproducing illustrations from its archives. Stationed in Schenectady, with all the illustrative matter in Dublin, I could not have managed at all without the generous assistance of Mr. Yeats, Mr. Martin Fahy of the Abbey, Mr.
Holloway, 6. 7. T. W. Rolleston, letter, the Freeman's Journal, 10 May 1899, 6; Hogan and Kilroy, 1:40. 8. There is a generous sampling of the controversy in Hogan and Kilroy, 1: 3852. 9. See Richard Ellmann, Yeats: The Man and the Masks (New York: Macmillan, 1948), 102; Peter Ure, Yeats the Playwright (London: Routledge & Kegan Paul, 1963), 942; David R. Clark, "Vision and Revision: Yeats's 'Countess Cathleen,'" The World of W. B. Yeats, ed. Robin Skelton and Ann (footnote continued on next page) Page 4 used the play well to give life to their interpretations, but no one has succeeded in finding an interpretation that gives life to the play.
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Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey Theatre (New Historicism) by Adrian Frazier
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