By Thomas Leitch

ISBN-10: 1405185384

ISBN-13: 9781405185387

ISBN-10: 144439732X

ISBN-13: 9781444397321

The main finished quantity ever released on Alfred Hitchcock, overlaying his occupation and legacy in addition to the wider cultural and highbrow contexts of his paintings.

  • Contains thirty chapters through the prime Hitchcock students
  • Covers his lengthy profession, from his earliest contributions to different administrators’ silent motion pictures to his final uncompleted final movie
  • Details the long-lasting legacy he left to filmmakers and audiences alike

Content:
Chapter 1 Hitchcock's Lives (pages 9–27): Thomas Leitch
Chapter 2 Hitchcock's Literary resources (pages 28–47): Ken Mogg
Chapter three Hitchcock and Early Filmmakers (pages 48–66): Charles Barr
Chapter four Hitchcock's Narrative Modernism: Ironies of Fictional Time (pages 67–85): Thomas Hemmeter
Chapter five Hitchcock and Romance (pages 87–108): Lesley Brill
Chapter 6 family members Plots: Hitchcock and Melodrama (pages 109–125): Richard R. Ness
Chapter 7 Conceptual Suspense in Hitchcock's movies (pages 126–137): Paula Marantz Cohen
Chapter eight “Tell Me the tale So Far”: Hitchcock and His Writers (pages 139–161): Leland Poague
Chapter nine Suspicion: Collusion and Resistance within the paintings of Hitchcock's girl Collaborators (pages 162–180): Tania Modleski
Chapter 10 A floor Collaboration: Hitchcock and function (pages 181–197): Susan White
Chapter eleven Aesthetic house in Hitchcock (pages 199–218): Brigitte Peucker
Chapter 12 Hitchcock and tune (pages 219–236): Jack Sullivan
Chapter thirteen a few Hitchcockian photographs (pages 237–252): Murray Pomerance
Chapter 14 Hitchcock's Silent Cinema (pages 253–269): Sidney Gottlieb
Chapter 15 Gaumont Hitchcock (pages 270–288): Tom Ryall
Chapter sixteen Hitchcock Discovers the United States: The Selznick?Era motion pictures (pages 289–308): Ina Rae Hark
Chapter 17 From Transatlantic to Warner Bros (pages 309–328): David Sterritt
Chapter 18 Hitchcock, Metteur?En?Scene: 1954–60 (pages 329–346): Joe McElhaney
Chapter 19 The common Hitchcock (pages 347–364): William Rothman
Chapter 20 French Hitchcock, 1945–55 (pages 365–386): James M. Vest
Chapter 21 misplaced in Translation? hearing the Hitchcock–Truffaut Interview (pages 387–404): Janet Bergstrom
Chapter 23 unintentional Heroes and proficient Amateurs: Hitchcock and beliefs (pages 425–451): Toby Miller and Noel King
Chapter 24 Hitchcock and Feminist feedback: From Rebecca to Marnie (pages 452–472): Florence Jacobowitz
Chapter 25 Queer Hitchcock (pages 473–489): Alexander Doty
Chapter 26 Hitchcock and Philosophy (pages 491–507): Richard Gilmore
Chapter 27 Hitchcock's Ethics of Suspense: Psychoanalysis and the Devaluation of the article (pages 508–528): Todd McGowan
Chapter 28 events of Sin: The Forgotten Cigarette Lighter and different ethical injuries in Hitchcock (pages 529–552): George Toles
Chapter 29 Hitchcock and the Postmodern (pages 553–571): Angelo Restivo
Chapter 30 Hitchcock's Legacy (pages 572–591): Richard Allen

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Extra resources for A Companion to Alfred Hitchcock

Sample text

But in Dickens’s case it first showed itself in The Posthumous Papers of the Pickwick Club (1837). “Mr. Pickwick,” writes Norrie Epstein, capturing the book’s picaresque note, “is a modern pilgrim, or knight-errant” (58). indd 34 2/5/2011 10:08:03 AM Hitchcock’s Literary Sources 35 in the teeming Fleet Prison, which affords him a glimpse of human wretchedness. The “wrong man” motif probably came from Dickens’s reading of Caleb Williams. It returns, of course, in both The Wrong Man and North by Northwest, where it can be positively Kafkaesque in its ambiences and implications.

At the end, one of its two principal characters, the lama, has seen Nibban/Nirvana (“By this I knew the Soul had passed beyond the illusion of Time and Space and of Things. By this I knew that I was free” [288]). But like the Buddha before him, he prefers to linger in the world; he still wants to guide his protégé, the orphan Kim. For his part, Kim ambiguously wants to keep playing “the Great Game” into which the British Secret Service has inducted him. Mutatis mutandis, we may find much of North by Northwest (and Vertigo) here.

Hitchcock, Alfred. ” Interview by Norah Baring. Film Pictorial 23 Nov. 1935. Gottlieb, Interviews 10–13. indd 26 2/5/2011 10:08:10 AM Hitchcock’s Lives 27 Hitchcock, Alfred. “Mr. ” Interview by Frank Nugent. New York Times 3 Nov. 1946. Gottlieb, Interviews 17–22. Hitchcock, Alfred. ” Film Weekly 2, 9, 16, 23, 30 May 1936: 16, 7, 28, 28, 27. Gottlieb, Writings 7–26. Hitchcock, Alfred. ” Sight and Sound 46 (Summer 1977): 174–75. Gottlieb, Writings 59–63. Hitchcock, Alfred. ” McCall’s Mar. 1956: 12.

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